Children's Festivals Survival Guide Part 1: Preparation

It's not enough to write a children's book, you need to get out there and let everybody know about it!  But what are some of the things you need to consider when preparing for your event?

The next episode in our brand new Pixels and Paper episode is all about how to survive presenting a children's book at festivals.

Let us guide you through our top ten tips for preparation...

How to prepare for reading or performing your book at a children's festivals. We take you through our 10 key points when getting ready for the big day.

Storyboard to Screen: The Pitfalls

So, our first of regular weekly "Paper & Pixels" videos taking you through all aspects of animation and animated story production.

They will become more polished as we progress, so please except this is a little rough and ready to start!

Storyboard template: We take you through some of the issues to look out for when creating your own storyboard and some of the steps we take to the final animated scene. We create animated ebooks but we hope that some of the tips detailed here will apply to many other types of animation.

The Art of the Landing Page - Welcome to Tallowmere

Tapocketa Studio is a new indie UK animation studio who were recently commissioned by Faber Music to work with them and Keaton Henson, a musician, visual artist and poet.  The brief was to create a single webpage animating Keaton’s artwork in the lead up to the release of 'The Tallowmere Annual', a collection of his works.  Here, Trevor Young, co-founder and animator at Tapocketa Studio details the process and reflects on how Welcome to Tallowmere shows how not all landing pages are, or should be, created equal.

A still from Welcome to Tallowmere

courtesy of Faber Music Ltd © Keaton Henson

The Tallowmere Album

A Long Way From Galdovia

Starting work on 'Welcome to Tallowmere' took quite a mental leap from our previous project, a children’s interactive book.  In a brief period of time we’d gone from the colour and pomp of the land of Galdovia in Galdo’s Gift to the dark and haunting town of Tallowmere.  The two places linked only by a tree swaying in the wind that caught the interpretative eye of Jack Halsey at Faber Music.  He saw it as something that would work, albeit with very different styling, for the motion they wanted to bring to the artwork of Keaton Henson, a musician and talented artist whose ink wash images echo the dark melancholy of his music.  One of these paintings would be animated to create an online page that would build curiosity for the release of a book of Keaton’s artworks, writings and music (the reader can plug their headphones into the book to hear a specially composed track that accompanies the words and imagery).

Where to begin

The tree animation was the starting point.  As time went on, we added animation to various other elements.  Heavy clouds began to roll across the sky, telegraph cables swayed in the wind, birds darted across distant skies.  Elements of the painting could be orchestrated into action at various intervals in the lead up to the book’s release.  The image could evolve and that was an exciting prospect.

A single cryptic social post from Keaton opened the doors to his many fans who curiously mulled over what they found, exchanging excited queries over what it all meant and puzzling over what was about to arrive.


Revisiting Tallowmere

Another post from Keaton and his followers would find something strange had happened to the windows in the image.  Intermittently a window would light up and become a bright cutout (alluding to images in the book that also contain objects in the image that have been ‘cut out’ to leave blank shapes).  Then after a short time the window would return to it’s original state.  Something had changed.  Clicking on one of these windows slowly reveals a panel with an image of a long abandoned object; a hint to a story yet to be told.

All this set against the eerie soundscape of Tallowmere; distant howling, the bleak wind through the abandoned streets.  Stay a while and you’ll hear Keaton’s soulful piano music begin to play, a dark serenade to accompany your visit to Tallowmere.

 A short section of animation from Tallowmere

A short section of animation from Tallowmere

Here, a single online page could evolve and adapt over time to build a pathway to the final reveal of the book.  A page that showed itself to be organic; changing and growing, hinting and enticing, adaptive and responsive.

Although an unfolding precursor to the main event, it showed that something that was in essence a landing page could become something of an artwork in it’s own right…

welcome to tallowmere


Extra info: Early stages of 'Welcome to Tallowmere' allowed visitors to register to receive notification of the final reveal.  When revealed to be a book, visitors could click through to be taken to a pre-order page or, as it is now, purchase The Tallowmere annual.

How to make a Boovie: part 1 overview

Ok, first things first, what's a Boovie?

It's our word for something that's not a book and is not a movie, it's a hybrid of both.  Every page has an animated illustration, a short looping movie that brings rich and colourful images to life (basically a very enhanced ebook -but we are not keen on the word 'ebook').

One of the double page spreads from Galdo's Gift -The Boovie

We've developed various inventive techniques for creating an animating these illustrations and were asked recently about the process and how it could help children learn when producing our first Boovie, Galdo's Gift.

So we decided to make a short video to explain ourselves.  It's one of our first, so please be kind.

Book Festival Fun: or 5 ways to cope with the crowd -2/5



Wow, Gusto is a great guy. What do you mean you've never met him? Oh man, he's the best; gregarious, confident, nothing phases Gusto.

Gusto always looks at the upside of any predicament, never wavering in his focus to brighten up any situation. He's the master of his own destiny, king of confidence, duke of daring deeds, chancellor of know what I mean, you get the idea.

Faced with a crowd of people, all staring at him, waiting anxiously for him to begin, he strides out before them like a demi-god, an unswervingly confident, lucky sod.

No hat too silly, no shirt too garish, always smiling, always swish. He dons his curly wigs with flair, he doesn't care about his hair.

You may know Gusto has a twin, though no one likes to mention him.

Oh dear, here comes Meeker now, come on Meeker take a bow.

He shuffles up to the plate, makes excuses why he's late.

Mumbles his lines, drops his script, over his laces he has tripped.

Getting up, he bangs his head, apologises, face turns red.

Stumbling back onto the stage, “what's my line?”, “where's my page?”

He clears his throat, he sounds quite hoarse, he's lost his audience now, of course.

Oh dear, why? Where did they go?

They've wandered off to see Gusto.


-Trevor Young, Tapocketa


We realised we needed Gusto for all our public appearance, and did our best to lose Meeker along the way. Worrying about making mistakes, we found, is more disabling than the mistakes themselves. Throwing yourself into your performance with gusto takes people along with you.


The odd mistake is all part of the show when done with flair of the Great Gusto.