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Our InnovateUK Takeaways and What It Has Meant For Us and The Future of Our Business

A compilation image of hands making a paper puppet,  text of tapocketa production diary, and close up of a pencil drawing of a catle

We’ve done it, and we’re out the other side!

Now, a few weeks on, we’ve had a chance to look back to review the main takeaways, evaluate our innovations, and consider the next moves.

 
A series of cartoon hands with garden tools
 

Main Takeaways

The nature of working on an innovation project, at least for us, is to imagine a great position to be in (in relation to the work at hand), and then pose a series of ‘what if’ questions to try to find a way towards that dream outcome being accomplished.

This consists of working through a succession of feedback loops that build on the last and inform the next; be that to continue along the same route or to change tack altogether. It’s not for the faint-hearted! After all, enjoying the quest of the unknown and squarely facing the possibility of failure is a central theme.

This approach is a great example of using inventive thinking to navigate a way forward. Keeping a creative mind when up against restrictions and recognising the opportunities that they could present is a valuable trait to cultivate.

 
A hand drawn cloud
 

Innovations

We had several wish list items to tackle at the beginning of the project, and most, if not all, have been accomplished one way or the other. We have certain details we wish to keep under wraps, of course, but here are a couple of major advances for us:

In the pursuit of creating a magical experience, we have found a way to achieve automatic and recurring personalisation in the web-book without collecting or storing personal information. This was a high priority for us considering our target users are children. We wanted to both engage and involve the reader, and encourage people to share the experience as a personalised gift for others to enjoy.

We have also found a way for the experience to change over time (in recognised time periods). This presents us with exciting possibilities that impact much of our in-house project work, as the core of what we do is to bring the printed page alive!

 
Sir Strompoff paper puppet jumping up and down
 

Next Moves

Through completing this innovation work, we have realised that what we are creating is actually very innovative. This is a good thing, of course; we are at the forefront of using the web storybook format to create enchanting and in-depth experiences in an increasingly quick and cursory online world. But with innovation, there is also risk, and understanding how we present and communicate our product and message will be crucial in how it’s received.

The world of tech and media is moving at an incredible pace, with AI capabilities (and the access to this) fast changing the face of production in screen-based creative products. In our view, AI should only ever be used as a powerful data tool, not as a creativity replacement. We are dedicated to human-made endeavours, with human creativity and human interaction at the core. This is where the real stories are; in the making behind the work, as well as in the product or experience itself.

This innovative work has led us to realise the huge potential and value of what our proposition can bring to both makers and recipients. And we have exciting plans that tackle both of these aspects head on. We certainly have our work cut out. But never shy of a challenge, our plans and company aims have become more ambitious as a result of our findings.

We’ll keep you posted…

Thank you for reading!

Eleanor :-)

 
King Galdo the Frog in a fine regal coat

You can keep up to date with our progress on Galdo’s Gift, and our motion storybooks by adding yourself to our mailing list.

 


Admin hoops and hurdles, and how valuable it is to hone those writing skills

Galdo’s Gift awarded Innovation Funding

As many of you already know, back in November we won an Innovate UK grant for innovation with our Galdo’s Gift: The Boovie® project. Which was fantastic news, of course!

We’ll update you on what we’ve been doing within this another time - but I want to talk to you now about the admin… I know; it’s the least sexiest part of it, and yet… almost the most important in terms of receiving the actual money. It’s crazy.

Learning Curves

These past few months have been a really steep learning curve for me. I have been in deep; deciphering the government forms and formats, timings and charts required. Not least, was understanding the array of acronyms used, to work what was being asked of me. Luckily as PM (project manager) I have been allocated a very helpful MO (monitoring officer) for my QRM (project quarterly meetings), and that’s just the start of it!

 
 

Having written the application forms over last summer (and yes I did make sure that I wrote 300 words for every category, well, 298 for most) the real difficulty then was, relaying all of the information requested, in the correct place, in a succinct manner. The difficulty now is trying to make sure I don’t labour over the costings and profiles, tables and registers to the detriment of the project itself. It’s a hard, but, valuable experience. By the end of the project I will have ‘Project Management’ under my belt for sure; in an intricate and precise government kind of a way, and that is actually a fantastic take-away, as well as the money, the opportunity and the kudos!

Writing A Future

Having been in the creative visual industry for my whole career, it is striking how hugely important writing skills are, in being able to persuade others to jump on board with a project or, to allocate money to develop it further.

Right now, we are half way through the Innovate UK grant period and I’m feeling pretty pleased (hopefully I won’t regret saying that!). I have completed a successful PCR (project change request), and the first QRM is done. Let’s see what happens over the next few months and we’re out the other side with our innovations ready to be shared…

The Next Step

Ultimately, we want to do our best work that inspires others to do theirs, and this grant is a great step towards doing that.

P.S. I also have my eye on another fund to apply for, which would be great for Galdo’s Gift and those who will benefit from that, and also hopefully not as arduous a journey for me. Fingers crossed.

You can keep up to date with our progress on Galdo’s Gift: The Boovie® by adding yourself to our mailing list.

And please do add comments below if you have any questions or experiences regarding funding and grants that you would like to share.



Tapocketa at the Creative Enterprise Gala

 

Eleanor with fellow Female Founder cohorts Kath Shackleton, Natasha Hawthornthwaite and Alixe Lobato

 

Eleanor and I had the chance to venture outside our studio and travel to Birmingham (a first for me) to attend the Creative Enterprise Gala.

Creative Enterprise funds our research and development project The Locksmith, a story-led augmented reality experience utilising our distinct animation style. They allocate funds from the British Film Institute and the National Lottery for screen based innovative storytelling.

Creative Enterprise have been funding innovation in screen-based storytelling for five years and decided to celebrate their huge achievements over that time at the Grand Hotel ballroom in Birmingham.

Eleanor and I got the chance to catch up with other supported businesses and share our experiences, which is a big part of the support that CE gives.

Starting up as a creative micro-indie company can feel a bit of a lonely endeavour sometimes especially when you are making inroads into an unfamiliar industry, so the chance to consult with those who are either going through, or have gone through, a similar experience is invaluable.

I’ll leave you with this shot of me obscured by a candelabra…

We all thought it best that I be obscured by the table decorations



Tapocketa Launches Mini-Tonic

 
 
 
 

It is with huge excitement that we would like to announce the launch of our new venture, Mini-Tonic…

 

 

Sitting alongside Tapocketa, Mini-Tonic is the place for all work involving other people’s imagery. It is, in fact…

Your Images Re-Imagined

 

A still from the book trailer for million-selling author, Mark Dawson’s ‘The House in the Woods’

 

We love to use our ingenuity to bring static artwork to life, and transform still imagery into animated shorts in a variety of ways and styles.

We consider each brand or proposition with care and endeavour to give each a narrative to stand out from the crowd. We can also create further artwork to amplify your message.

 

Animating the characters from the book cover of ‘The Case of the Smuggler’s Curse’

 

We believe that our imagination, inventiveness and storytelling is what can help set your work apart. So far we have worked with a selection of wonderful art directors, producers, publishers, musicians and artists, and would love to work with more creatives to collaborate, pioneer and develop many more Mini-Tonic shorts.

Mini-Tonic definition: A concise remedy or ‘pick-me-up’.



Inspiration Spot

We are introducing an “Inspiration Spot’ to our newsletter mail-out, in which we highlight an interesting thing that has caught our eye….

This great little historic film clip shows how the creative spirit can turn the humble typewriter from a machine of words into an expression of visual creativity!

black and white photo of a person using a typewriter to make an image

‘Able to tick? Tick Along’ Film from 1937 Polygoon-Profilti (producer) / Netherlands Institute for Sound and Vision (curator) Licensed under Public Domain Mark



Eleanor joins the fantastic Female Founders Scale Up programme

I am really excited to be one of fourteen entrepreneurs to be selected for the Female Founders Scale Up program run by Creative Enterprise (with the BFI and National Lottery).

2022 Female Founders cohort

Proud to be part of Female Founders graphic

We are embarking on a 6-month programme designed for female business owners from the narrative screen-based industry, which includes tv, animation, createch, and scripted and branded content companies. In its third year, the programme provides in-depth support, advice, and professional coaching tackling areas including business planning, funding, strategy, making the right hires, and monetising IP.

Having already met up in-person, I am really looking forward to working alongside these women, in developing opportunities both personally and for Tapocketa.



Get Animated: How to find your animated replacement

 
animated character waving
 

We would like to enter NED - Love Machine into festivals and competitions.  There's only one problem, well two actually...us.

While NED is currently a delicious mix of animation and live action (not to mention Oscar-worthy performances from yours truly) it makes it less 'animation-y' to have real people in it.

 
 

This also becomes a bit of an issue when the live action is at the beginning. This was deliberate, the whole element of surprise is the transition into the animated world. Unfortunately this also means that when a panel of experts sits down to watch our beautiful animation, the first thing they see is…er… not animated. We would like to think they wouldn’t switch the film off in disgust at that point. We would like to think that they would have confidence that we, as professional animators, would not be so silly as to enter a live action movie into an animation competition or festival. I have to say, we’re not confident that would actually happen.

Therefore, we reluctantly take one for the team and stand aside to make way for less attractive animated versions of ourselves. I know, it’s not going to be easy.

 
Eleanor Long and Trevor Young in Ned Love Machine
 

If you would like to keep up to date with our progress, we are regularly (currently every other Sunday) broadcasting live at 5pm (BST) for around 10-15mins.

The next one will be on Sunday 26th July at 5pm British Standard Time (9am PDT, 12pm EDT) where we will be showing our progress and talking sound fx.

Click the image below to go to the YouTube page where you can book your place by clicking ‘notify me’. See you there! :-)

 
Tapocketa’s Live at Five Sound FX

Tapocketa’s Live at Five Sound FX

 

We love broadcasting live, it gives us a chance to show you our progress and get live feedback (if you want - you can just watch - if you’re a bit shy, don’t worry, we don’t see who’s watching - it’s not like a Zoom call - more like a live TV programme).

If you would like to keep up with new Live at Fives, follow us on social media or subscribe to our YouTube channel...



Tapocketa's Live at Five begins!

Live at Five dancing lemur

What goes on behind the scenes of a slightly unusual animation duo?

sketches from The Locksmith

How do you start creating an interactive animated story?

Where do you look for creative inspiration to give your stories richness and depth?

Join us Live at Five every other Sunday at 5pm BST!

Eleanor and Trevor on Live at Five

We take you through the process of creating interactive stories as we create them.

And because it is a live broadcast, you get to ask questions while we are broadcasting.

Our next session is on 12th July. Follow us on social media to get more details about each session closer to the broadcast date.




Here are the first two sessions. It takes us a little while to get into our stride!…

 
Live at Five session 01

Live at Five session 01

Live at Five session 02

Live at Five session 02

 


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